Victorian Art & Design
Dante Gabriel Rossetti 1828-1882
Rossetti was very upset by the attacks on the Pre-Raphaelite paintings in
1850 and 1851. He decided not to exhibit again. In 1854 he started a painting
called Found. He tried to use Pre-Raphaelite methods for it but never
managed to finish it. He turned to water colours of medieval subjects, like The
Wedding of St. George in the Tate. In 1859 Rossetti returned to oils with Boccia Baccata. It was the
first of a series of half lengths of beautiful women. The Beloved in the
Tate differs from the other paintings by having more than one figure.
Rossetti
painted
Beata Beatrix, shown on the left, in memory of his dead wife Lizzie Siddal,
the model for Millais' Ophelia. She died of an
overdose of laudanum in 1862. The painting shows her as Dante's beloved,
Beatrice. A dove brings her a poppy which is a symbol of death.
In 1856 Rossetti
did a watercolour of Dante's Dream with Lizzie as the model for the dead
Beatrice. In 1871 he did another Dante's Dream in oils. This is shown
below. The ground is scattered with poppies as Dante looks in a dream at the
dead Beatrice. This time the model for Beatrice was Janey, the wife of William
Morris. In the 1870s Janey was Rossetti's favourite model. His last painting of her was The Daydream.
Millais
Holman Hunt
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